According to the artist, drawings recreated by the way of photographs are some kind of a memory filter. The notion of filter is ambiguous: at the same time dissimulating as the screen and revealing as a window of an event. Her drawing practice has the ambivalence of transparency/erasure, and fictional/ real memory. Images constitute memorial emergence with their blanks and the captivating reality.
This exhibition aims to present drawings as a work in progress on several fronts, with fragmented and reconstructed images, like a combinatorial process. It focuses on fragments of memories, which are exhibited in order to let the visitors to reconstruct them through their own vision and language. Between “Eden” and “The end” the language rebuilds and deconstructs itself.