Berkay Tuncay

ALL ARTISTS
The numbers cut of plexiglass, which reflect the views on the Gangnam Style video, bring into the exhibition space a quantitative measure of something that is constantly changing. This monument that loses its validity the second it is made, or rather the second the order to make it is placed, questions the relationship between art and reality, looking at art as a means of representation. Representation failing to represent and to dissipate appear to me to be the real impetus behind these numbers that are placed next to each other.
Untitled (After Gangnam Style) 2013 - continues
Untitled (After Gangnam Style) 2013 - continues